Thom Yorke: The Eraser

Back in 1995, Stanley Donwood began a body of work titled London Views. This would later become the cover of Thom Yorke’s album The Eraser.


Stanley describes the art making process:
This medievalised vision of apocalypse in England’s capital city was carved on 14 pieces of linoleum with one small cutting tool. The original blocks make up a picture about twelve feet long, which has been painstakingly hand-burnished on to beautiful Japanese Kozo paper, as it has so far proved impossible to print this using a press. Thus the edition is extremely small; only 8 have been made.
Each of the 14 sections were first proofed on a huge cast-iron printing press, an Albion made in 1860, scanned, and printed on to large aluminium/polymer composite panels, which in turn were caged with diamond-pattern wire, reminiscent of the Evening Standard headline-boards that infect the capital with their own dire predictions. Each of these panels are 75 cm wide x 140 cm high.
Limited prints and more Radiohead-related artwork are available from his website.
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